MONDO 70: A Wild World of Cinema

A randomly comprehensive survey of extraordinary movie experiences from the art house to the grindhouse, featuring the good, the bad, the ugly, but not the boring or the banal.

Tuesday, September 15, 2009

Fernando Di Leo's MANHUNT (La Mala Ordina, 1972)

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P laying an exuberant thug who ends up the last man standing, Mario Adorf nearly stole Milano Calibro 9 from the incredible Gastone Moschin...

3 comments:

Sunday, September 13, 2009

MILANO CALIBRO 9 (1972)

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H ere's the first of a trilogy of crime films by Fernando Di Leo , an Italian director who's a new quantity to me. All three films a...

4 comments:

Friday, September 11, 2009

STRAIGHT TIME (1978)

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I f the title of Ulu Grosbard's film refers to the amount of time Max Dembo spends on the straight-and-narrow following his release from...

4 comments:

Wednesday, September 9, 2009

IPHIGENIA (1977)

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A mericans, how would you feel if the lion's share of westerns were spaghetti westerns, if your national mythology had been appropriated...

Tuesday, September 8, 2009

THE FUGITIVE KIND (1960)

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T his particular review is in the way of a request. Sidney Lumet's film of Tennessee Williams's play Orpheus Descending was recomme...

2 comments:

Monday, September 7, 2009

LAST YEAR AT MARIENBAD (1961)

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D on't expect me to solve Alain Resnais' famous time-and-memory puzzle; I'm not sure if it has an actual solution. The truth of ...

2 comments:

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