A randomly comprehensive survey of extraordinary movie experiences from the art house to the grindhouse, featuring the good, the bad, the ugly, but not the boring or the banal.
Saturday, February 8, 2020
On the Big Screen: BIRDS OF PREY AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN (2020)
"I'm telling it all wrong!" Harley Quinn confesses well into her new film, and when the film itself admits this, what more can I say? This, I guess: any half hour of the Harley Quinn cartoon on the DC Universe streaming service is more entertaining than this sputtering too-late spinoff of the already-awful Suicide Squad. If its purpose was to make a franchise out of Margot Robbie's supporting cast then it has to be judged one of the most abject failures of recent times. If its purpose, however, was to make Jared Leto's Joker look worthy of comparison to Nicholson, Ledger and Phoenix in retrospect by inviting a more favorable comparison with Ewan McGregor's vacuous performance as Black Mask, then it's probably some sort of success -- presuming, of course, that anyone remembers Leto's Joker now. In all other respects the new film falls on its face, and early reports indicate that it won't even have the popular mandate Suicide Squad somehow enjoyed. Maybe people see it as a vanity project, fairly or not, and are steering clear, or maybe Harley Quinn's moment as a cultural phenomenon is already over. Maybe Warner Bros.' desire to treat her as DC's Deadpool is more desperately obvious now, or at least as obvious as the inability of anyone involved in the project to do a Deadpool. But incompetence isn't Birds of Prey's sin as much as indifference is. The story, to the extent that I remember it after a few hours -- something to do with a diamond somebody swallowed -- is just the inescapable something, the bare minimum the film has to have to get from one action scene to the next. The action scenes themselves are okay at best but way too choppy by the standard set by John Wick and Atomic Blonde without as many sight gags as an ostensible comedy-action film should have. You can't help feeling that more talented filmmakers could have done much more with the same characters and story -- a more linear approach would have helped, for starters -- but weren't considered necessary for something so seemingly pre-sold as a Harley Quinn movie. Joke's on them, it seems -- but at least Warner Bros. may be able to console themselves at the Oscars tomorrow. Maybe they can start fresh with Harley in a Joker sequel ....
I don't see Harley in a Joker sequel. Different direction altogether.
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